The Elements That Shape Rhythmic Nuance
Using the Offbeat Count Theory introduced so far, I will explain the underlying mechanism behind why Japanese people fall into tatenori.
Definition of Terms
To explain the mechanism of tatenori, it is first necessary to define the terms used to explain it properly.
- The Syndrome in Which the First Sound Heard Is Heard as the On-Beat of Beat 1, and Its Symptoms - Overcoming Tatenori Series No. 36
- Swing Theory - Overcoming Tatenori Series No. 38
- On On-Beat Slipstream - Overcoming Tatenori Series No. 39
Table of contents
- Offbeat Count Theory
- Introduction
- What Are the Four Principles of Groove
- Why Are Japanese People Tatenori
- Which Comes First, the Strong Beat or the Weak Beat
- Phonorhythmatology
- A Letter to Mora-Timed Language Speakers
- Split Beat (Schizorhythmos) and Isolated Beat (Solirhythmos)
- What Is Metre
- Multi-Layered Weak-Beat-Oriented Rhythm
- Multidimensional Division Spaces
- Rhythm More Important Than Pronunciation
- The World Is Made of 3⁻ⁿ Metres
- 3⁻ⁿ Groove and 2⁻ⁿ Groove
- Distributed Groove Theory
- Weak-Beat Geocentrism and Strong-Beat Heliocentrism
- Introduction to Offbeat Count
- Rhythmochronic Competence and Sense of Rhythm
- Master English Listening with Offbeat Count
- Etudes for Mora-Timed Language Speakers
- Proper English Pronunciation
- Correct Pronunciation of Offbeat Count
- Multilayer Weak-Beat-Precedence Polyrhythm
- The Elements That Shape Rhythmic Nuance
- The Mechanism by Which Tatenori Arises
- Tatenori and the Perception of Movement
- The Psychological Problems Caused by Tatenori
